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The 50 best 60s albums
It's been wrongly labeled as the first krautrock album before, but that doesn't mean it isn't the first great one. For an album pioneering a genre that was still in its infancy, Phallus Dei is already heavily experimental. Most of it is pretty much tribal-esque free form rock. Krautrock would get better, but it still had a remarkable start.
49: DAVID BOWIE - SPACE ODDITY
Of course it starts with Bowie's most well known track, but the rest is nice psychedelic folk as well that bares no resemblance to Bowie's amateurish and jokey debut. The other highlights are the two longest tracks "Cygnet Committee" and "Memory of a Free Festival" which closes the album phenomenally.
48: OS MUTANTES - OS MUTANTES
Os Mutantes is a nice, very ahead of its time piece of tropicalia from Brazil. It combines psychedelia, electronic music, samba, and pop rock to make for a manic, catchy and unique album.
47: FRANK SINATRA & ANTONIO CARLOS JOBIM - FRANCIS ALBERT SINATRA & ANTONIO CARLOS JOBIM
Francis Albert Sinatra & Antonio Carlos Jobim is a twenty-five minute collection of bossa nova covers (some of which were written by Jobim himself) sung by Sinatra with Jobim on guitar. Every song here is elegant and beautiful, and though he may not have the world's highest vocal range, Sinatra's baritone could make any song better.
46: THE SONICS - HERE ARE THE SONICS!!!
Here Are the Sonics is a very early piece of proto-punk from my hometown. Some of these songs sound like they could even have been on Rocket to Russia. The originals like "The Witch" are the best songs of course, but the punk-ified covers of old soul and R&B tunes like "Have Love Will Travel" kick ass as well.
45: MILES DAVIS - SKETCHES OF SPAIN
As the follow up to the classic Kind of Blue Miles Davis finally makes his first album - of many, thankfully - to make people ask "Is this jazz? What even is it?" Sketches of Spain is a love letter to the music of Spain, reworking a few classic songs into a more modern, jazzier sound. Sketches of Spain sounds like it could be the soundtrack to a 60s Spanish film - or a Western - and a damn good one too.
44: PRINCE BUSTER - FABULOUS GREATEST HITS
Ska isn't exactly an album oriented genre, so this short 1968 best of will do you fine for one of the pioneers of the genre's first wave. Like most of the great music to come from Jamaica, Prince Buster's songs were cheerful and catchy and his lyrics were progressive and political. Still, the best song here is probably the instrumental "Freezing Up Orange Street."
43: CAN - MONSTER MOVIE
Monster Movie is the second great krautrock album, even if it's around half krautrock and half proto-punk. Even without Damo Suzuki and his memorable voice in the band, they do just fine with African-American artist Malcolm Mooney as their lead vocalist. They'd grow as a band but they already have that hectic intensity and groovy repetitiveness down here, and it's nearly as good as the albums in the Suzuki trilogy.
42: THE VELVET UNDERGROUND - WHITE LIGHT / WHITE HEAT
Easily the weirdest of the four Velvet Underground albums, White Light / White Heat brings the punkishness and abrasiveness hinted at in the debut to the forefront. It's a hazy, distorted mess of an album. The highlights are the least conventional songs; the bizarre spoken word story "The Gift" and the out of its mind seventeen minute "Sister Ray," where the only thing saving it from losing control is the repetitive drumbeat.
41: GRATEFUL DEAD - ANTHEM OF THE SUN
Anthem of the Sun is the pinnacle of the Grateful Dead's psychedelic era, combining studio recordings with live recordings. It sets itself apart from the rest of the psychedelic rock of the time by planting the seeds of their folk and country rock future here, which gives its mixture with psychedelic rock a uniqueness. The best song here is the opening suit, but they're all absorbing pieces.
40: THE DRIFTERS - GOLDEN HITS
With many lineup changes and songs written by everyone from member Ben. E King to future stars like Carole King, this pop soul group was more of an idea than an actual band. That said, they knocked out some killer (if a tad cheesy) tunes - I don't know if I've ever heard something as moving as Ben E. King's vocals on "This Magic Moment."
39: THE BEATLES - REVOLVER
Many say it's their best album, but I'm inclined to disagree as it has a few weak points. "Taxman" sounds pretty whiny when it's coming from a few millionaires and some of the songs on side two are a little weak. But that doesn't stop this from being a great album because the high points are very high, namely "Eleanor Rigby" and my personal favorite "I'm Only Sleeping."
38: STAN GETZ, JOÃO GILBERTO & ANTONIO CARLOS JOBIM - GETZ / GILBERTO
Bossa nova "creator" João Gilberto joins forces with Stan Getz to make nice bossa nova / jazz crossover. It's chill and its songs are memorable. It has quite an odd story behind it however. The reason a sequel never came to be was because João's wife Astrud Gilberto (the singer on "The Girl from Ipanema") left him for... Stan Getz.
37: THE KINKS - FACE TO FACE
Face to Face was the Kinks' first concept album and their first front to back classic. By this time they were about half proto-punk and half pop rock. It's got a few memorable rockers like "Party Line" and "House in the Country" and then there's the slow satirical classic "Sunny Afternoon."
36: THE BEATLES - MEET THE BEATLES!
Please Please Me may have come first, but it was 1964's Meet the Beatles! that would serve as an introduction to the Beatles for five million Americans, and the value of that can't be underestimated. It took out all of the covers from With the Beatles and added in the classics "I Want to Hold Your Hand" and "I Saw Her Standing There." It's twenty-five minutes of fun original pop rock and is all killer, no filler.
35: THE BEACH BOYS - SMILEY SMILE
Smiley Smile has received far too much hate, and I'd go as far as to say it's as good as what SMiLE was going to be. After a year spent relentlessly polishing SMiLE Brian Wilson realized what we wanted may never come to be, so the Beach Boys went back to basics and quickly recorded a lo-fi not very basic at all EP length album with different takes on most of the songs that would've appeared on SMiLE. The hazy atmosphere is easy to fall in love with and songs like "Good Vibrations" and "Heroes and Villains" will forever remain classics.
34: BOOKER T. & THE M.G.'S - THE BEST OF BOOKER T. & THE M.G.'S
Booker T. & the M.G.'s are probably better known as the backing band for many legendary artists at Stax, but they had many a damn good tune to their own names. Their albums aren't particularly good, but their best songs are, and this half hour compilation gives you all the soul jazz you need from them. We all know "Green Onions," but the rest of the songs are worth hearing as well.
33: THE KINKS - THE VILLAGE GREEN PRESERVATION SOCIETY
Comprised mostly of old outtakes, The Village Green Preservation Society is the Kinks' sunniest and most poignant and emotionally resonant album. The melodies and lyrics are undeniable, and every song (especially the first three) is very charming. Sounds like Disneyland but if it was actually cool and in the U.K.
32: JOHNNY CASH - AT SAN QUENTIN
The second of Cash's prison albums is shorter, doesn't contain obnoxious fake cheering overdubbed in it, and has Cash performing more of his classics. Cash's commentary is constantly entertaining and the songs are performed with infectious energy. "A Boy Named Sue," is an unforgettable song.
31: THE ROLLING STONES - NOW!
Now! is the first classic Stones record, even if it's two thirds covers. The covers here are phenomenal compared to those on their first two albums, and the originals (mainly "Heart of Stone") show progress in their songwriting as well. Now! sounds like a smokey bar with a damn good covers band playing. By that I mean that it's great.
30: THE BYRDS - SWEETHEART OF THE RODEO
On Sweetheart of the Rodeo country rock pioneer Gram Parsons joined the Byrds and helped them reinvent their sound. Even if there's only two originals (both written by Parsons), the covers are all improvements over the originals. Sweetheart of the Rodeo is a perfect, mellow summer record.
29: SANTANA - SANTANA
Santana's debut is their best in my eyes (or ears). It's chill, improvisation heavy, vocally sparse music and endlessly listenable. It's both sophisticated and accessible. "Soul Sacrifice" is the most well known song here but I'm more partial to most of the first side.
28: JIMI HENDRIX - ARE YOU EXPERIENCED
The moment "Purple Haze" begins, you know you're in for one helluva ride. Hendrix's insanely inventive guitar work is mind bending on every moment of this album and the riffs are undeniable. It almost plays like a Jimi Hendrix greatest hits record, with four of his classic songs here. And for 1967, this is heavy as fuck.
27: THE VELVET UNDERGROUND & NICO - THE VELVET UNDERGROUND & NICO
The Velvet Underground & Nico might just be the beginning of "alternative" music as we know it. There's a ton going on her, from simple pop songs like "Sunday Morning" to proto-punk rockers like "Waiting for the Man," to long art rockers like "Heroin." Add in Nico's oddly deep voice for a woman on beautiful tracks like "Femme Fatale" and "I'll Be Your Mirror" and you've got an influential classic. And it's all good (except "European Son").
26: THE KINKS - WELL RESPECTED KINKS
Coming at the heels of their first great album Face to Face, Well Respected Kinks is an EP of singles and b-sides. Of course singles like "All Day and All of the Night" and "You Really Got Me" are classics, but the b-sides here like "Gotta Move" and "Wait Till the Summer Comes Along" will surprise you with how amazing they are. Top to bottom, this is perfect.
25: MILES DAVIS - FILLES DE KILIMANJARO
Filles de Kilimanjaro is Davis's first foray into electric instruments and shows a glimpse into his fusion filled future. Even though it's barely fusion at this point, it's already hypnotic and atmospheric. He'd get better, but it's a very good start.
24: THE BEACH BOYS - PET SOUNDS
Pet Sounds is the first great Beach Boys album. Enough's been said about it, but I will say that the Beach Boys were my first favorite band when I was six. I remember hearing "Wouldn't It Be Nice" and being covered in goosebumps. I was blown away that something could be so beautiful. And I still feel that today when I hear it.
23: MC5 - KICK OUT THE JAMS
The commentary's a tad annoying (although as someone from the ghetto, the "This is the high society!" part always made me feel a little better). But the music just rocks a fucking raw energy like I've never heard. The first time I heard this I just couldn't go back to most punk for a week, because this was it. This raw as shit avant-garde explosiveness was what I had always been searching for, and I'd found it. Oh yeah, and this is from 1968.
22: KING CRIMSON - IN THE COURT OF THE CRIMSON KING
Prog rock begins right here. Robert Fripp's incredibly distinct guitar work has already taken form here. The virtuouso musicianship is insanely fun to listen to, especially in parts like the very long improvisational bridge to "21st Century Schizoid" whose simple but thoughtful lyrics angrily shit on the Vietnam War. All five songs here are good, even the noodling "Moonchild."
21: CREEDENCE CLEARWATER REVIVAL - GREEN RIVER
In a string of four great albums from Creedence, Green River is the first - and the best. The swampiness comes in within the first few seconds of the opening title track (one of their best songs) and keeps going through some rockers like "Commotion" and poignant ballads like "Wrote a Song for Everyone" and "Lodi."
20: BOB DYLAN - THE TIMES THEY ARE A-CHANGIN'
The last of Dylan's protest era, but also the best. The whole album sounds so damn angry and I love it. The classic opening title track is a song that will always resonate for as long as the world remains a place that be a bit better. The fourth verse is particularly amazing. The rest of the album's nearly as good, with haunting folk tunes like "Ballad of Hollis Brown" and "With God on Our Side."
19: THE BEATLES - ABBEY ROAD
Abbey Road truly feels like the finale to the Beatles; the closing sixteen minute suit may be my favorite Beatles song. But along with their grand finale, they also cover tons of areas they'd previously mastered, with goofy children's music like "Octopus's Garden" (the best individual song here I might add) to dull elevator music like "Something." But with songs like "Come Together," "Here Comes the Sun," "I Want You," and of course the songs I already mentioned, you have nearly an A+ record.
18: THE BEATLES - HELP!
Help! is the first "sophisticated" album from the Beatles, merging their obvious knack for memorable melodies and catchy pop hooks with the newly born folk rock craze. The result is, at times, beautiful. It'll be a miracle if I ever hear another song as good as "I've Just Seen a Face."
17: PINK FLOYD - THE PIPER AT THE GATES OF DAWN
The Piper at the Gates of Dawn couldn't be more different from the Pink Floyd we all know. Fronted by Syd Barrett whom the band would soon lose to mental illness, it's like a somewhat dark, somewhat dreamy book of children's poetry sung over manic, bizarre, unstructured, and occasionally surf influenced rock music. Where post Barrett Floyd is meticulous, Barrett Floyd is haphazard and jammy. It's like the Doors mixed with the Kinks mixed with the Beach Boys mixed with Pink Floyd.
16: THE ROLLING STONES - BETWEEN THE BUTTONS
Coming from a time when the Stones were experimenting with psychedelia, Between the Buttons is packed with so many beautiful tunes. "Let's Spend the Night Together," "Ruby Tuesday," "Connection," "She Smiled Sweetly," "Something Happened to Me Yesterday;" all perfect pop songs.
15: THE BEATLES - RUBBER SOUL
Other than the opener "Drive My Car" any of the "old Beatles" sound that was still there on "Help!" is gone here and replaced with a poppy folky hazy atmosphere. Plus it's got "In My Life." That's the highest praise an album can receive.
14: THE ANIMALS - THE BEST OF THE ANIMALS
The Animals weren't ever much of an album band, but a singles band they were indeed. Sure, all but one of these songs are covers, but when the Animals did a cover, it definitively became their song. Is there any reason for anyone to make another cover of "House of the Rising Sun," when Eric Burdon's deep bellowing voice and Alan Price's organ have already changed it from a simple traditional folk standard into one of the most visceral, sinister and intimidating songs ever recorded? Is there anything as blissful as Burdon's voice when he sings "Girl there's a better life for me and you" on "We Gotta Get Out of This Place?" It's called The Best of the Animals, but it may as well be called The Best Covers of All Time, Vol. 1.
13: THE ROLLING STONES - OUT OF OUR HEADS
For the first time, the Stones had made an album that was half originals, but the covers also shine here - in fact, all of the best Stones covers that aren't "Love in Vain" are here. The covers are mostly on side one while the originals are mostly on side two. On the opening track "Mercy Mercy," there's something undescribably amazing about the way Mick sings "But please don't say we're through!" And their cover of Sam Cooke's "Good Times" is such a joyous rocker. But the highlight here is of course, "Satisfaction." "Satisfaction" may not be punk in sound, but it's the punkest pre-1976 song out there in attitude, with its themes of commercialism.
12: DR. JOHN - GRIS-GRIS
A bit of a shock that the guy that did New Orleans R&B better than anybody else is white, but what can I say. Gris-gris is amazing. From weird chant songs like to "Danse Kalinda Ba Doom," to "pop" songs like "Mama Roux" and "Jump Sturdy," to instrumentals like "Croker Courtbullion," to the badass psych-rock closer "I Walk on Guilded Splinters," this album's a wild ride.
11: FRANK ZAPPA - HOT RATS
Just after Miles Davis's In a Silent Way Frank Zappa came out with the second major jazz fusion record. It's like the weirdness of Zappa taken into instrumental form. There's something off about these songs - in a good way - but it's hard to pinpoint what. The first three songs are the best, with Captain Beefheart's uncannily Tom Waits-esque voice on "Willy the Pimp;" and the cheeriness of "Son of Mr. Green Genes."
10: THE STOOGES - THE STOOGES
The Stooges' debut is easily their most important album, even if it hasn't aged as well their other two. Still, the moment I hear 1969 I'm pumped - and reminded that somehow, what I'm listening to is from 1969. And then that opening feedback in the intro to "I Wanna Be Your Dog?" Chills, everytime. The rest of the songs are fun, if not as good, but "We Will Fall" is at least two minutes too long.
9: THE ROLLING STONES - AFTERMATH
The first Rolling Stones album of all originals comes swinging right out the gate with "Mother's Little Helper," a hilarious psych-pop tune. The rest here are some of the best songs during the Stones' pop period, like "Lady Jane," "Under My Thumb," and "Out of Time." And for an album that's just under an hour long - a very long running time for 1966 - Aftermath doesn't overstay its welcome in the slightest.
8: THE BEATLES - MAGICAL MYSTERY TOUR
Despite being two EPs packaged together, Magical Mystery Tour does everything Sgt. Pepper's set out to do, but better. It's a pop epic shrouded in fantasy. To hate Magical Mystery Tour is to hate happiness. From the welcoming intro to the charming "Fool on the Hill" to the floaty instrumental "Flying" to the iconic tracks like "I Am the Walrus," "Hello Goodbye," "Strawberry Fields Forever," and "Love Is All You Need," this is the Beatles' masterpiece. But the best song here of course is "Penny Lane," the best chorus of all time and a song filled with an innocent joy and odd lyrics only Paul McCartney could write.
7: THE ROLLING STONES - BEGGARS BANQUET
Beggars Banquet would be the Stones' last album with Brian Jones, and the best as well. After deepening the psychedelia of Between the Buttons on Their Satanic Majesties Request - and failing - the Stones went in a different direction and started making roots rock. Everyone's heard the classics "Sympathy for the Devil" and "Street Fighting Man" but nothing matches the beauty of the piano outro on "No Expectations" and the gospel-esque outro of "Salt of the Earth." Only thing wrong with this is some disturbing lyrics on "Stray Cat Blues."
6: MILES DAVIS - IN A SILENT WAY
In a Silent Way is the first major fusion record, thus making it incredibly influential, but it's also so good? It's the best ambient album ever made, and one that I would put on before I went to sleep every night for a month. He would go on to make much rockier albums like Jack Johnson and Get Up With It, but none would ever top this.
5: BOB DYLAN - JOHN WESLEY HARDING
Following his "motorcycle crash" Bob Dylan went back to making simple acoustic folk rock. Even if it doesn't have any of his classic songs ("All Along the Watchtower" would be performed much better by Jimi Hendrix) it still has some of his best songs. The lyrics are a lot simpler than on Blonde on Blonde but that doesn't make them any less amazing. The story song "The Ballad of Frankie Lee and Judas Priest" has always been one of my favorites, and "I Pity the Poor Immigrant," "I'll Be Your Baby Tonight," and the title track all have some very poignant lyrics as well.
4: THE VELVET UNDERGROUND - THE VELVET UNDERGROUND
On their self titled album, the Velvet Underground (mostly) drop their experimental side after the departure of John Cale and turn into a folk pop band with a garage rock edge. And honestly? They get better. This and Loaded are their two best albums. The garage rockers like "What Goes On," and "Beginning to See the Light" are two of the best, but "Pale Blue Eyes," "Jesus," and "I'm Set Free" are goosebump evoking ballads. With its incredibly inventive use of the (at the time) new stereo technology "The Murder Mystery," is one of the most fascinating experimental rock songs I've ever heard. And there's no song that makes my heart sink deeper than "After Hours" when Moe Tucker sings "Oh, someday I know someone will look into my eyes and say hello, you're my very special one!"
3: BOB DYLAN - BLONDE ON BLONDE
At over seventy minutes long, Blonde on Blonde was the first double album in major label history, and it has every right to be that long. "Visions of Johanna" is obviously one of Dylan's prettiest songs, yet I don't think it's the best here. That'd be the simple pop tune "I Want You," a song that gives me chills every time I hear it. It also has some of Dylan's goofiest and most endearing songs like the repetitive opener "Rain Day Women #12 & 35" and "Leopard Skin Pillbox Hat." But the second side is even better than the first, with a few more upbeat rockers; and Bob Dylan does the cliched "side long epic" better than anyone with "Sad Eyed Lady of the Lowlands."
2: THE KINKS - SOMETHING ELSE
Front to back, Something Else is A+ tune after A+ tune. Their proto-punk sound? Completely gone in favor of music hall and sunshine pop. But this is undescribably amazing. Ray Davies isn't the world's best singer, but could anyone else make "Afternoon Tea" into such an eargasm? This album makes me feel everything, from happiness to sadness to making me laugh. "Hairy Rag" and "Tin Soldier Man" are hilarious, but it's not till you've heard eleven of the greatest songs of all time that you get to the closer "Waterloo Sunset" and realize that - somehow - there's a song a million times better than anything else the Kinks (or anyone else) have ever done. It's oddly relatable, a mix of melancholy, a feeling of content, and a feeling of hope. There's nothing that's ever captured the feeling of being alone - and a bit happy - better.
1: THE ROLLING STONES - LET IT BLEED
"Gimme Shelter" is the greatest rock song ever made and there's no doubt in my mind about that. But it's everything else here that keeps me coming back to this album time and time again. The passionate cover Robert Johnson's "Love in Vain" is beautiful, the country version of "Honky Tonk Women" is even better than the original, "Live With Me," is a bangin' hard rocker, the title track is an oddly sweet and endearing (if a little gross) song, "You Got the Silver" is another sincere love song from Keith Richards, "Monkey Man" has the most badass intro ever and a beautiful ending, and "You Can't Always Get What You Want" is perfect and has gotten me through some tough times. Perfect album.
What're your favorite albums of the 60s?